Showing posts with label Doodad. Show all posts
Showing posts with label Doodad. Show all posts

Saturday, January 24, 2015

Falling from Small Heights

"Man is, and was always, a block-head and dullard; much readier to feel and digest, than to think and consider." -- Thomas Carlyle, Sartor Resartus
As part of an "assessment instrument," I've been reading sample essays from Oh-ficially scored sources. See, our students read four very short arguments responding to a common prompt and then write their own argument about which is the best case. We free ourselves of subjectivity by using nationally certified sources. Our old essays are now too well known by the students, and we need new ones for the exit assessments anyway, so that means reading this year's samples. The old set responded to "As people rely more and more on technology, their capacity for problem solving and creativity will surely diminish." The responses were quite different from one another in approach, and the best was different from the middle one in thought as well as expression.

This year, all the prompts are business related. The best one, for our purposes, was, "For the leadership of the future, it is imperative that children be trained in the values of cooperation rather than competition." The responses, graded by the Official services from six to one, all agree with the prompt, and the differences between them are differences of compliance with written English. The "six" has complex sentences, and the "one" has sentence fragments.

They are all dumb. In fact, the "six" would have gotten only a B from me, because even it had the "Leaders will need to be encouraged in their school" object/subject number confusion (unless all "leaders" go to the same school). Not one of the responses was analytical. Not one questioned the dichotomy of the prompt. Heck, the "five" essay began with one of those, "The dictionary defines competition as..." gambits that is only supposed to be used if a person intends to redefine a term.

Consider this my answer, and my protest to the stupids that this Official voice wanted to offer people going to its test prep site.
 
"Skepticism (is) the virtuous mean between two vices: absolute knowledge and absolute ignorance." -- Odo Marquard, "Skeptics: A Speech of Thanks," in In Defense of the Accidental


"Competition" and "cooperation" are actions incomplete in their own. They both require objects, company, friends and enemies. One competes or cooperates with. These are neither values that can be taught in the abstract, nor are they transactions that can be consistently enforced without teaching a social setting that mandates the activity.

The submerged assumption in the writing prompt is that "MBA culture" has harmed America. Well, that's hard to argue, but it's also important to follow. "CEO America" looks at quarterly profits, does not know or care what the core business is, and is pleased to fire all of the labor force and eliminate all the goods being made by the company, because those are debts. The resulting "profit" will increase the stock price, which will increase the CEO compensation, and the trading of the stock will increase the company value, which will increase its price on being bought, which will ensure the board a good package on the merger. Thus, all of those making decisions will make enormous profits. The things being made will cease, but. . . that's not the business of the CEO. The CEO and board's duty is to shareholders, not to "consumers" or "labor."

Obviously, the effects of stock traded corporations are evil. Obviously, CEO's are bad for business and bad for the larger economy. Obviously, market funds are bad for the nation. Even their positive effect on stimulating start-ups is cancelled by their decapitation of those same businesses when they begin to produce, and especially when they manufacture. The specific evil is a system we have developed of captial pitted against commodities. When capital moves and "innovates" and "is made" without any relationship commodities, then there is a separate industry of "wealth workers" who set themselves in opposition to those who work in everything else, because their fundamental task is to shake capital free from any attachment to any person. (If you don't think we are post-capitalist in this manner, I'll see you in comments.)

By nature, humans are cooperative. By nature, humans are competitive. By nature, humans compete against themselves preferentially over other people, and we do not need studies to establish this.

Look around you at lunch. How many people are playing Candy Crush or played Tetris? How many people are playing video games solo? When they play in networks, do they play against one another, or do they play with each other in teams? In general, people play against fixed goals and against their own performances, seeking to be perfect at things. It is why they go to the gym and shoot hoops or lift weights.

At work, how often are you asked for help? How often do you ask for help? The point is that people are competitive, but not hostile, and they are cooperative, but not sycophantic. Indeed, we do need to battle the damage done by the naive assumption that "capitalism" is Darwinism and the even deeper lie that Darwin's "survival of the fittest" meant survival of the biggest, toughest, or strongest -- "fitness" means toward the environment, and strong, mean, nasty critters are not very adaptable. We have to fight the fascist theme that "America" is about individuals fighting it out without any help against one another for a triumph.

More, though, we need to understand that we are under assault by a post-capitalist economic theory that is disloyal, immoral, and corrosive of all values and value.

Monday, December 22, 2014

Let's change the rules

My only real rule, and it's about me and for me, so I don't have to justify it before any tribunal, is that I won't talk about myself on this blog. I'm fully aware that there is no other subject, if we trace the matter analytically through hoop after hoop, but you can take your hoop and put it in your nose. The simple fact is that I don't like me. I don't find me interesting. More, I loathe "bloggers" who write about the miracle of their daily lives. While these verminous scourges are less common these days, when I began here, they had not yet found their Facebook selfy Reddit Instagram Pintrest nirvana.

I recognize that I have an audience of perhaps two, thinking optimistically. I have made this so.

I want to change the rules a little. I want to talk about the vitreous that blocks me, even if it isn't universal. For example, anyone who reads all of this blog gets the impression that it is written by someone with clinical depression. That makes it nothing special. My last (look down) commented on the fact that this is just how things are, and talking about it might be profoundly useless. However, today I decided to make a play list for my funeral. I didn't do that because I'm planning on hastening the pale visitor's conquest, but because I've gotten a couple of cancers. That's no big deal, except that I'm paid so little that some months mean hunger (really), and our insurance just pushed the deductible from $3,000 to $5,000. I just, in essence, got a $5,000 pay cut.

The IRS has chased me around and taken this month's paycheck. The reason is that my mother borrowed against a life insurance policy of mine some fourteen years ago. The insurance company made sure that the premiums would never go to repay the loan, and therefore the policy would die. When it did, the company reported that I had gotten $5,000 in "income." I, of course, had gotten not a cent. My mother had. She's dead. I don't blame the taxmen. I blame the insurance industry that wants old life insurance policies to die, because they're too cheap. Nevertheless, I owed $1,000 on the "profit" I had made when the policy died. I barely get $1,000 a month, so I wasn't exactly able to pay them from my excess funds.

There's good news, though. If I owed $10,000 or more, there is a "Fresh Start Initiative" to take care of me to renegotiate! But owing $1000? Well, hell, boy, everyone can afford to pay that!

I've been working at a job for 10 years where I am making $5,000 less per year than the starting pay for my position.

Still, money is not something I think about until I have to. I hate money. I hate the people who allow money to carry value. It is, after all, the most abstracted and irrational unit in the world. It is unconnected to morality in the extreme. It is unconnected to work nearly as far. The construction worker works much more than the stock trader, but the stock trader makes an obscenity of ejaculating money, while the construction worker makes a wage and destroys his body while listening to Rush Limbaugh and Neil Boors.

My college president thought it would be a good idea if all of us provided our Facebook profiles to him for a new intranet (that would be linked to the school's Facebook page. . . I'll let you figure that one out). We were also supposed to explain our conversion experiences. When did we realize that Jesus was Lord? What book or preacher was most important to us?

"Consider the lilies of the field. They spin not, nor do they weave...."

I do not do Facebook. I never will. I have Reasons. I put "A Poor Man's House" by Patty Griffin on my funeral play list. My first song is "On the Nickel," because it says, "If you chew tobacco, and never comb your hair," which sets out two of my conditionals.

I took a long time, but I finally came up with a response to the president's request. He wanted to know, so I decided I should tell him. I wrote two documents. I'll share them here, I guess. Maybe I won't. One is the actual story of how I lost my faith thanks to the evangelical movement and its emphasis on altar calls. I came back to it later and discovered a quiet, certain, faith. I never, in the document, point out the problems with the theology and polity that this college president and his new trustees embrace. I only tell the truth. Then I turned in a second document and explained why Facebook and all of the commercialized web is the destruction of academic inquiry.

This second one is boring as a sand pudding. I will post it here.

The point is that we once had a volunteer Internet, where discussion was organized by joint projects or activities. We exchanged that for interest groups and consumer subsets under Facebook or one of the others -- all designed as being conversation under the power of sale.

I will offer one of my blogs of Ideas next.

I remember the t-shirt from 1991: "The Internet's Full: Go Away!" That was a response to the "AOLamers." I thought the snobs were wrong then, and I was right, but I thought the Internet had been destroyed then, and I was right about that, too. In 1993-4, I thought the invasion of graphics into websites was the problem. I was feeling a symptom. The truth is that the decision to sell bandwidth to .com meant that, at best, the "real" Internet of Usenet days would exist only in an underpopulated, unadvertised, esoteric bubble, but "the web" would become a midway of freakshows, where the marks are the exhibits.

Friday, August 01, 2014

The Valley of the Uncan

This pun is available for adaptation, by the way ("The ICANNy Valley," e.g.).

The time is drawing near when I will be asked to consider technology and instruction again. I have never stopped thinking about it, of course, but once upon a time I was payed to be aware of the issues, even if no one actually wanted to hear what I had to say. (I blame myself. I probably didn't say it very clearly.) Now, though, I'm going to be caught between the cruising speed icebergs of capital and capitalized tech purchases and will need to explain why education, instruction, and the latest purchase aren't always aligned.

I got a new laptop, and for once, I'm current in software. I'm indistinguishable from consumer class, and it only took thirty years to get there. This means that there is a video camera built into the lid of the laptop, and both the NSA and Microsoft can turn it on at any time without my knowledge. Fortunately, there is a high tech defense against this. For a fee, I can relate the specs to you on the wireless network enabled BLACKTAAPE (TM) (Pat pending). By getting the properly designed, wholly chemical free and Y2K compliant BLACKTAAPE, you can place this device in front of the lens of the camera and be certain that no one is seeing anything you don't want to show.

Anyway, even if you don't keep up with college education, you know that the trend is for online classes. This trend is driven by consumer impulses and a flood of G.I. benefits, an exponential growth of for-profit colleges, and, most of all, colleges and universities seeking ways of gaining revenues by reducing labor costs and facilities expenditures. Sometimes, schools try to own the online classes teachers create, claiming that the professors surrendered their intellectual property and copyrights by using college/university computers. Even when that's not the case, the colleges frequently pay less for online classes and demand more.

In general, they are exceptionally unpopular among faculty. (Yes, commenter: you love them. That's great. I don't hate them. I'm talking about the general feeling.) Faculty generally figure out that exploitation is in the offing.

I
I want to talk about one small subsection of the phenomenon, though, and that's the technology of the online classroom.

Assume a class size of 15. Assume the class will involve laying out background information and process instruction. In fact, let's go ahead and stipulate a mid-point class, like "Survey of British Literature 2: 1750 - 1945." To teach a class like that, there will be
  • Historical background, genre background, biographical background, thematic background for major authors; construction of either a thematic narrative or an historical narrative to unite the material selected into an arc that will allow the students to frame the things they read.
  • Discussion with students of individual works to encourage close reading and strengthen student close reading skills; class investigations of longer works so that the students get to pioneer the exploration and discover when a reading has and lacks support.
  • Explanation of "how to write on literature." A survey class is structured as a first step in a major, so one needs to teach students how to write about literature with an awareness of critical perspectives; students need to know how to read criticism without being adversarial or slavish.
Now, ignore for a moment what technology you must use. What technology would you choose to use for these tasks -- provided that "in seat class time" is not allowed?

No very good teacher is ever one-way about teaching. Giving background is close to one-way information flow, as the information in the background goes in one direction. However, the delivery, in person, is two-way. In a physical classroom, lecturers watch students, listen to whispers and groans, make personal asides to punctuate the depth of the information, slow down when students get behind, etc. However, this, and only this, can be replaced with a set of web pages or a video. Students can "watch a You Tube" of the professor and get an 80% experience, perhaps.

The third thing -- "how to write the paper" and "how to take the test" -- seems as if it is just as susceptible to one-way, static replication, but it is not. Even in highly selective schools, where students have relatively uniform backgrounds, a class of fifteen students will have ten different misapprehensions about how to approach writing about literature. This is inevitable, because the task is at the heart of the college major. In other words, students will be uniformly heterogeneous because they're not college majors. A single talk or web page on "how to write a literature paper" that addresses the misapprehensions of students will either be a work of inexplicable genius or unreproducible luck.

It's the second bullet point that's the hell.

Should I be on video, with fifteen small thumbnails of the students, to "meet" with my class? Is that better than a large chat window?

There is an irony here, because video contact is worse at reproducing the classroom than a flat text window. It is worse for my students, and much worse for me, to have video and video to recreate the in-person classroom than to have no pictorial representation at all in favor of text windows.

Think about what happens when you speak to a conference room. Think about what the people around the table are doing. The non-verbal communication is much greater than the verbal communication, and people will inaudibly negotiate a mood and behavior. This is why one class can be "mean" and another "sweet" -- with the same material presented by the same teacher, the students themselves will negotiate a mood among themselves without even knowing it, and this collective voice will hold until disturbed. This social harmonizing prevents the most egregious behaviors. (It also intimidates some students and prevents their asking for help.)

When fifteen students are fifteen picture-in-pictures, they are fifteen individuals -- fifteen television sets. They don't negotiate with one another, and each is engaged in the social behavior of "watching video."

You may think "video connection is allowing me to connect to my students," but each student has a history of viewing "video" on a laptop or desktop computer. There are conventions for YouTube and the others that overwrites the actual use made of the video link.  "Watching video" is a fundamentally solitary behavior that is subject to the egoism of consumerism. "Watching video" comes with a "like" or "dislike" button, has a comments field, and invites "snark" or forwarding to Facebook. These conventions are everywhere except the online class, so the students, at best, experience contradictory signals from the media. More likely, each of the fifteen students conceives of herself as a solo entity and the professor as disembodied, if not a commodity, and the commodity experience (i.e. monetized routine found in advertising and placed in journalism) of "watching video" acts as interference against the perception of the professor as a teacher.

The instructor for his or her part, will see fifteen separate, distracting behaviors across the screen. There will not be the corporate behavior one gets in person.

On the other hand, if students engage a large text box, the experience pre-dating the activity is "writing a text" or "reading." This is an individual experience as well, but it is what McLuhan called a "cool medium." The cool medium of reading/writing allows or forces analytical thinking. While the video presentation should replicate "conversation," the technology by which it is arriving has already etched out a set of expectation that instead dominate the intended effect.

Thus, it seems, just as it becomes more possible to have a video link with a class, it is less and less useful -- more and more counterproductive, in fact -- to do so, because the ubiquity of YouTube, Vine, Vimeo, and the rest automatically carry methods of interpretation in the very act of appearing by video.

Monday, July 14, 2014

Advice for the Love Shorn

No. . . I spelled it right.

I have some experience with being the one left behind at the end of a love affair. The love lorn are, you know. . . lorn. "Lorn" is from Middle English, "leosan" (i.e. "lose"). It's the past participle, and you know it most often with its prepositional friend "for," as in "forlorn." Since the love lorn are those who are without love, that's everybody. The love shorn, though, are the ones who were not expecting anything, even though they should have been.

If you are a normal, functioning human being, then when your boy/girl friend (or wife/husband) says, "It's over" -- with or without the "I'm seeing someone else" (I rather think the people who don't announce the breakup until they're in the arms of someone else are cowards; they need that other person to be a shield or an insult that will make the breakup "stick," or they aren't going to break up until they know they can "do better" (even though, of course, they never will do better than YOU)), then you won't take it lying down. No: you'll pace back and forth, throw yourself at the wall and door, and then demand that she or he tell you WHY it's ending.

You poor sap.

Think about what you're asking for. You're asking for a set of reasons for an emotional state. Second, you're not going to listen to anything the other person says, because your question is corrupt. You don't want to know why he is dumping you. You don't want to know why she feels that things are working out. Even if your former lover were possessed of Orphic clarity, even if the beloved could say why love has gone, it wouldn't mean anything to you.

What you really want is a list of reasons why you would break up with you, why you would end the relationship. You're asking to be convinced to not love the other person in the same way that she doesn't love you.
She says you're taking her for granted. You say that you're not. She says that you show no affection, and you say that real love means not having to do that.

Parse this, or its inverse (you want all her time), and what you see is that she's saying, "I feel," and you're saying, "I think" or "That feeling isn't justified." The argument only confirms the premise (the real premise: "This relationship is over") because it's taking place. What's worse is that no one can beat another person into loving.

This isn't a very deep insight I'm offering, is it? It's obvious that no one can argue another person, much less threaten another person, into liking him or her. Nor is it possible to accept the kind of damage being dumped brings without protest. All in all, it doesn't help to know the fruitlessness of arguing. What the love shorn needs and wants is to be validated, to be worthy or worthier.

This really basic dynamic works on humans from their early to their late years. In fact, I know of an institution that, having been rejected, has resorted to argument. It's hard to sue the country club into making you a member; if you win, you won't want to go.
Þæs ofereode,

þisses swa mæg.
With respect, of course.

Sunday, June 15, 2014

Probably Hyperbole

I was at Mal-Wart on a Sunday morning, after church, and the lines were long. For some reason, we dumb customers simply REFUSE to go to the teller-less checkouts. Long lines'll teach us to fight Mal-Wart's obvious wisdom in going to a labor-free retail environment. (It's true: the management is decreasing cashiers and making cashiers stand by the "check yourself out" lines to "guide" people. Unfortunately, people would prefer to wait than check themselves out.)

Ned Ludd was right, by the way.

Ludd's loss isn't why I'm writing. Cosmopolitan is why I'm writing. Its cover this month is:
If I were good, I wouldn't hotlink this, but I don't think my traffic will inconvenience anyone.
Cosmopolitan is supposed to make people who view its cover think about sex. In this case, I will admit that I thought about nudity, simply because the dress-thing on Katie Perry was so offensive to the eye that I could only think about how much I'd prefer it if she took it off. I think a Burqa would be preferable. The copy on the cover explains that "Katie Perry is on fire," and this may be true, but not when she was photographed. When she was photographed, she appeared to be decomposing, as the gangrenous hair dye and the dress with cut-outs looking like a bug's eyes reminded me more of the grave than flames. (A thingamabob that's shorts, but with a long, exposed zipper, and long sleeves? Is there any element of the garment that works with any other?)

No, what made me pause is the magazine's offer to provide "20 OMFG Moves" and "Epic Summer Sex." I suspect the magazine's copy editor was drunk.

Many moves will result in a partner making the sound, "Omfg!" I believe an unexpected elbow to the solar plexus or the chin is quite effective. A sudden belly flop of one partner onto the other can routinely elicit that noise from both participants and "turn up the heat."

It's the "epic summer sex" that had me scratching my head. My fifth edition of the Holman Handbook of Literature tells me that the epic is,
1. Marked with elevated diction,
2. Invokes the gods and involves supernatural aid,
3. Deals with matters of national foundations,
4. Covers a large scope of action.

I appreciate the writers at Cosmopolitan Magazine making a contribution to the American epic. After all, the English epic has proven elusive enough. Oh, sure, everyone says that Beowulf is the English epic -- About.com says so! -- but it's about the founding of a nation called the Geats. . . in Europe. John Milton was gonna write an English epic, but he decided that writing an epic-epic -- the story of Man -- was better, so he wrote Paradise Lost/Paradise Regained. Everyone knew that King Arthur was the potential epic subject, and William D'Avenant's Gondibert had tried an epic in the a,b,c,b ballad rhyme in the 17th century. Finally, Alfred, Lord Tennyson did Idyls of the King and ended anyone trying to write an epic in English anymore, because it frankly kind of stank. American efforts have been even worse.

"Hark! we hear of hookups past in Forum and fanzines,
How Fifty Shades of Grey taught his lady much to endure,
She crouching and swooning and swatted and pierced to ecstasy,
That was good erotica. Then came she, he, and all
To America, the gods to bless, greedy for good sex, alluring. . . ."

I can't do any more, I'm afraid, because I didn't buy the issue. I am, however, looking forward to the summer sex that founds new nations and spans vast territories.

Friday, January 17, 2014

Galatea is "Her," and She Is Always Galatea

Confession: I live in the middle of radish fields, and the only movie theater plays nothing but "Smash and Boom III" and "Tyler Perry Presents Loud and Noisy." Consequently, I will sound like a moron if I talk about Spike Jonze's film, "Her." I will, therefore, instead, talk about reviews of the film and the premise of the film and hope that I don't miss any of the former that invalidate my commentary and that the latter is as it has been communicated.

Tentatively, therefore, I want to propose the following: "Her" plays upon the Classical myth of Pygmalion and Galatea, and yet it does so in such an attenuated and developed way that reviewers either miss the model or do not bring it up. This mythic structure has a great deal to offer us, both in terms of a contemplation of art and the powers of humanity, chaos, love, creativity, and, indirectly, politics. The story occurs in Ovid's Metamorphoses X, in one of the Orphic songs. You can read a translation here.

The song is very, very short, and the tale is very evocative. Pygmalion is a sculptor who is, in some versions, very ugly. In all versions he is very skilled. He makes a sculpture of a woman whom he could love -- the perfect girl. In Orpheus's version, she is chaste by virtue of her marble-whiteness. He loves the sculpture so much that he wants no real woman for a bride. At one point or another, Venus/Aphrodite turns the statue -- Galatea -- into a real woman.

The Victorians loved the story. W. S. Gilbert did a version, and G. B. Shaw (yes, yes, a Modern in . . . and yet not) did the famously class-based satire Pygmalion that became the rather denatured My Fair Lady. Of course Rousseau had written a Pygmalion as well, reflecting the later-Romantic fascination with the limitations of creativity, and this would show up in pictorial treatments by the Pre-Raphaelite Brotherhood. For the artists of the turn of the 19th - 20th century, the theme seemed to be the power of imagination, and the dangers of fascination. "The Lady of Shallot" is, in some ways, a mirror of Pygmalion: that which can be imagined can be beautiful, but having it brings danger. Their versions of Galatea, like other products of artistic imagination, inevitably transferred human stains or impossibility when they crossed into reality. Either the human malleability of the lover or the demands of perfection would, like Frankenstein or Mr. Hyde, show the impossibility of the perfect more than they would affirm the value of the real.

The new "Her" would not be the first use of the Pygmalion theme with technology. We have a long, long, long line of silly and crude efforts, from 1970's science fiction fear films about super computers. "Colossus: The Forbin Project" from 1970 set the tone for the "Oh my gosh, it has taken over the world, because we're not logical enough," but "Demon Seed" had the best creep factor, especially with the explicit (at the end) Pygmalion/Galatea dynamic, with poor Julie Christie being the unwilling model. For the silly, we get everything from "Weird Science" (super models from a Tandy TRS 80!) to "War Games" (yes, it's silly, and the Galatea is the non-geek girlfriend).

"Futurama" had a great time with the social scourge of "robosexuality." In one episode, it was a way of discussing the hysteria and vacuity of Proposition 8's anti-homosexuality. The show even had Hubert Farnsworth do a parody of the self-parodying "storm clouds" ad from the National Organization for Marriage ("nom nom nom"). In another episode, though, Fry downloads his own Lucy Liu-bot. To discourage him, Professor Farnsworth shows him a government propaganda film, I Dated a Robot! (If you haven't seen it, you should click on the link, as it's one of the finest bits of parody in the show's history.)

Sculpture at Carrboro, NC farmer's market.

For a legitimate enactment of Pygmalion and Galatea, where there is potential culpability or unforeseen implications of reality, literary fiction had a flirtation with Galatea 2.0 by Richard Powers in 2004. It is a very well written novel with extremely fine style and control. The "Galatea" of the title is, ostensibly, an effort at natural learning for an AI. The neuroscience and AI in the novel is quite good, but the real Galatea of the novel is the novelist's own wife, who breaks away from him in the course of the book, having an affair as the marriage breaks down.

"Galatea," we may understand, is every romantic love. Men attempt to make their mates. (Neil LaBute plays assure us that women attempt to make their mates, too.) Consequently, we believe we find the image, but then we believe that we create the girl/boy inside the woman/man we love. After Venus gives the gift, though, comes the problem of change, life, and the fact that what was perfect only remains perfect if people are immobile or manage to move together.

The Shaw Pygmalion has to understand that his Galatea may not remain an experiment, that language does not remake the person, that class is or is not simply a disguise (it's not clear). (This ambiguity is gone in "My Fair Lady.")

The early Modernists had a strain of rejecting reality. W. B. Yeats's "Sailing to Byzantium" posits a reality of art that is parallel to the reality of daily experience. It might emanate from artworks, but it isn't coexisting. T. S. Eliot would argue for a Christian mystic experience that is, again, separate, superior, informing, but away from the quotidian, where all paths lead to the same place, and the place is not any one physical place.

The Victorians and early Modernists were living in a world where empire had shown Western aspirations and appetites in action on a global scale. Whether the Belgian Congo or the British Raj, the best practices had resulted in atrocities, repression, and oppression. Appetite had triumphed over planning. For the Modernists, the high minded belief in progress had smashed into World War I, when the most "civilized" nations on earth had used chemical weapons against each other.

Today? Are we stuck reiterating the tragedy of love alone, or can we look at Iraq, Afghanistan -- not to mention Honduras, Nicaragua and other places where American best practices have been at work -- and feel a similar skepticism about projecting human will into practice itself? Surely it is the fate of love, just as love itself, to be lashed to humans who do not live in sync, but is it in the realm of any human creation to breathe without carrying with it the stain of its creators?

If we re-tell Pygmalion/Galatea simply to explore the degree to which the beautiful can only exist fleetingly, and outside of the grasp of the mind, then we do not add much. It's true that the American public is cynical, that one doubts that even the architects of the neo-liberal invasion of Iraq and the supposed vision of a spreading garden of democracy achieved by the overthrow of Saddam believed what they said, but just crossing our fingers behind our back -- swearing that we didn't really mean it when we said that we thought we were making the world a better place -- does not absolve us from having done our best and having created. We, with our names and bumper stickers attached, sent troops to destroy and enforce governments. We, with our right wing radio telling us that Jesus was involved, did what we said we believed what was right and good.

We, with very sincere dreaming in print, made the Internet, opened it to the .com's, sold domains, and preached freedom. We created the world that spies on us in order to sell us pregnancy supplies before our daughters have missed their second periods. We created the super-intelligent super intelligence in our action movies, and now the 4th amendment is unknown.

An OS coming alive and loving its user sounds more like the Demon Seed than a lesson in love to me.

Tuesday, December 24, 2013

Grace

I can't stand talking about grace, because it gives me a headache. The problem is, we shouldn't be speaking of "grace" as a noun at all, because the moment we do, the word suffers a syntactic infection from other nouns, and then there are flavors of grace, stripes of grace, and amounts of grace. That said, I can no more avoid the nominal form of the word than anyone else.
But a greater inconvenience it bred, that every later endeavoured to be certain degrees more removed from conformity with the Church of Rome, than the rest before had been; whereupon grew marvelous great dissimilitudes, and by reason thereof, jealousies, heartburnings, jars and discords among them” (Of the Laws of Ecclesiastical Polity I, 2.2).
"Grace" as a word just denotes "gift." It is, in fact, what Advent is about -- a gift being given to humanity. The word "grace" shows up in "gratias" (for free) in Latin (which becomes gratis in UK/US parlance -- "no charge"), "gracias" in Spanish, and "grazie" in Italian. (The Romans used "gratis" for "thanks" in the same way that Spanish uses "de nada" -- "no problem/charge/burden" -- or English says "no big deal." Spanish and Italian derived their words from Latin.)

Celebrating Christmas is strange. In a churchly setting, there is the mass of Christ -- the church service with eucharist/communion -- held to honor the feast of the birth of Jesus, but that is a single day of obligation. It doesn't necessitate, or bear, a great deal of wittering and frittering. On the other hand, Advent is the liturgical season leading up to the feast of Christ, and that does have pageantry and a series of themes. The traditional theme, and the one you will hear in your lectionary readings, is the fulfillment of prophecy, the kairos, or rightness and fullness of time.

The more Protestant side of the celebration is the theme of grace. Advent shows God giving a gift. Jesus's birth as man is neither obligatory nor deserved. It is something given by God for God's will. Man was dead set against the birth and the message.

You cannot ask for a freely given gift, and you cannot earn a gift. If you ask for it, or earn it, it is not a gift. Therefore, while Paul ends some of his epistles with, "May the ... grace of our Lord" be with the congregation, it's a strange idea. We have to assume that Paul is hoping only and not actually petitioning. In the Book of Common Prayer used by all in the Anglican communion, parishioners ask God for grace for repentance after confession.

Salvation had been possible before the incarnation, but only for the Chosen people, and only by the law. God gave a superabundant gift in being born and breaking the first major falling of man in the process. (When man fell, the first great consequence was being divorced from the presence of God. Being unable to speak directly to God and to know that there is a certain moral universe is the profound fall of the soul and undergirds all else.) God gave a second gift on top of that by giving salvation to any and all who would but follow the Christ. Men still had and have a choice, and they could -- as most did -- continue to insist that the messiah had to be a Davidic king who would conquer Rome and set up material wealth for Judea/Israel. Third, of course, in the death and resurrection, Jesus gave a gift of eternal life and the Kingdom of the spirit rather than the law. He sent thereafter the paraclete, or Holy Spirit. Since then, nothing has fundamentally changed or needed to change: through the comforter, we have access to God; we still must choose the Christ; gentiles and Jews alike are called.

This is grace. Man did not earn it. Man did not even know how to ask for it. What was given was given by God for God's will.

This is not how I hear people use the word "grace." I hear it, instead, used as "state of grace" and mumblejumble grace for salvation. I hear the word "grace" used to talk about a sort of rocket pack or Flubber for the soul. What's worse is that all of this comes out of the most perverse need to justify assumptions rather than observation.

One line goes like this: If men are born with a sin upon them, then men are born fit for Hell. If they are fit for Hell, then they are depraved. If they are depraved, then they are depraved through and through. If they are depraved through and through, then they can't choose to accept the Gospel and believe on their own. Instead, "grace" has to do it. Because grace, and grace alone, is responsible for the conversion of the depraved sinner to the saved elect, it is irresistible and total. What's more, it is "abounding" and "abiding," and that means that, having been the rocket pack that makes the person seek God, hear God, and accept God, it sticks around to steer.

The other line says, If men are born with sin upon them, then they are born erring. If they err by nature, they cannot see the good from the evil reliably. Their conscience now, their intellect then, and their bodies another time will alternately fail. Therefore, the seeker needs help -- a bit of extra bounce to get above human capacities -- but the seeker must then be peak human to decide on salvation. This grace is flubber, and it sticks around, too, but it is a special force that God brings to bear only when the human is in most danger of being lost.

The first of these theologies leads to abuses whereby people argue that their salvation is permanent, no matter what they do. As Fielding's Parson Adams says, they'll meet their Savior and say that, though they never acted on any of his commandments, they believed 'em all. The second one leads to further qualification and quantification of the types of human and supernatural flickering and sparking. Both lead to folks being the judge of their own grace and, if possible, other people's.

I lean far more toward the grace that resolves to the human soul's free will, but I mainly lean away from any discussion of "grace" as a thing. The arrogance involved in saying, from this example in the Bible or that one, that God affects a turning heart by doing exactly this for each and every heart is staggering. What Job went through is not what Mary went through, and what Peter went through is not what Thomas went through. For people to argue what "must" be the case with God's operation in the Holy Spirit is shocking.

We should, instead, be ashamed that we don't know how to respond to a gift. It is with gratitude and celebration.

Sunday, December 23, 2012

Dropping the Button

"Now that highway's coming through,
So we all got to move.
This bottom rung ain't no fun at all." -- John Doe, X, "See How We Are"

In 2003, I made the same salary that I make now, until I was laid off. However, I did far better, because I was not in a "right to work" state that was eager to cooperate with any bill collector, no matter how shady, and garnish, pre-tax. That job lasted only three months, more or less, because the year before the head of the schools had written over one hundred million dollars in bad checks. The school system therefore laid off everyone who had been hired that year. However, I had money left over enough, after paying rent and power and the like, to keep paying rent and groceries and telephone for another six months. Today, a paycheck does not last a month.

We have insane inflation. If it's measured by indicators, then our inflation rate is flat or terrifically low, but it is about like the incessant hammering of a man's gaze on a woman's body. It looks for any slip, any weakness, to see the forbidden and then glories on "win." Ritz Crackers now come in half roll sizes for the same price. . . because you might buy them. Your "big" candy bar got smaller and flatter to get wider. The result of shopping anywhere but Mal*Wart is that irrationally selected items of grocery will be $1-$2 above that evil empire of land destruction.

Once, I went to a school that charged $7,000 a year for tuition, and that was the highest outside of the professionally expensive schools (Ivy League, Bard, Sister Cecilia's Special), and the retiring head of Coca-Cola gave the university $110,000,000.00. The school responded by raising tuition, and one VP was honest enough to say they were doing it because Vanderbilt and Duke were raising theirs, and, if we didn't raise ours, people would think we weren't as good.

Businesses seem to be run by the dicta that they have a duty to maximum profits. This is not true even in neo-classical economics. As Henry Ford said, their goal should be the highest quality possible for the lowest cost possible while paying the highest wages possible. Once you believe that your job is "maximize profits," then the job gets easier, and you believe perforce in every other organism as a resource to be mined.

The majestic pile

I was in church this morning, and the offeratory came around. I thought about how I had no cash to put in the plate, and how I was uncertain that I would have money even in two weeks to send off to help pay for the house I'm living in -- much less cover expenses.

I thought that I might put a pain pill in the plate.

(Prescription drugs do not go into the inflation index, I bet. Then again, they don't increase in cost. They all cost exactly the same thing, which is a metered price-per-dose, and that price depends on how far you can be pushed before you would rather die or suffer. These days, $2.00 and $3.00 seem to be popular dose prices.)

"Do you remember that fell evening,
When you heard the banshees howl?
Those lazy drunken bastards
Were singing 'Pity in the Vale.'
They took you up to midnight mass
And left you in the lurch,
So you dropped a button in the plate
And spewed up in the church." -- Shane McGowan of The Pogues, "The Sickbed of Cuchuliann"
Pogue mahoney and all that, but this is not a matter of shame or tradition. This is a matter of relief. Life is beautiful, when once want is gone, which is why want never seems to leave.

"What a jovial and merry world would this be, may it please your worships, but for that inextricable labyrinth of debts, cares, woes, want, grief, discontent, melancholy, large jointures, impositions, and lies!" -- Corporal Trim to Uncle Toby, Laurence Sterne, Tristram Shandy

Critically, functioning in any given context depends upon having the prerequisites. Even the widow's groat is not a prerequisite of church, but it is of being a church member. One always feels insufficient if one is insufficiently integrated. Going to the town commission meeting is free-ish, but one knows that voices carry best when carried by money. Old cars are charming, and then they are not.

When we wonder why the poor do not voice their opinions more or participate more in local politics, we show our own obliviousness. The inverted world we occupy, where a pocket sized computer that plays only games, the DS III or whatever it may be now, is easy to get, but where shelter is dear and food is a war between corporations that own all brands and want to test each buyer's attention to the limit, makes it quite, quite clear that only the wealthy have three dimensions to their social and political selves. The rest of us are fractions and shadows -- sources of revenue or labor or data alone.

I do not want to be a resource, human or otherwise, for the continuation of the lopsided wave that is American capitalism.

Friday, November 16, 2012

A Vile Antithesis: Amphibious Things

  Let Sporus tremble — "What? that thing of silk, [305]
Sporus
, that mere white curd of ass's milk?
Satire or sense, alas! can Sporus feel?
Who breaks a Butterfly upon a Wheel?"
Yet let me flap this Bug with gilded wings,
This painted Child of Dirt that stinks and stings; [310]
Whose Buzz the Witty and the Fair annoys,
Yet Wit ne'er tastes, and Beauty ne'er enjoys,
So well-bred Spaniels civilly delight
In mumbling of the Game they dare not bite.
Eternal Smiles his Emptiness betray, [315]
As shallow streams run dimpling all the way.
Whether in florid Impotence he speaks,
And, as the Prompter breathes, the Puppet squeaks;
Or at the Ear of Eve, familiar Toad,
Half Froth, half Venom, spits himself abroad, [320]
In Puns, or Politicks, or Tales, or Lyes,
Or Spite, or Smut, or Rymes, or Blasphemies.
His Wit all see-saw between that and this,
Now high, now low, now Master up, now Miss,
And he himself one vile Antithesis. [325]
Amphibious Thing! that acting either Part,
The trifling Head, or the corrupted Heart!
Fop at the Toilet, Flatt'rer at the Board,
Now trips a Lady, and now struts a Lord.
Eve
's Tempter thus the Rabbins have exprest, [330]
A Cherub's face, a Reptile all the rest;
Beauty that shocks you, Parts that none will trust,
Wit that can creep, and Pride that licks the dust.  --Alexander Pope, Epistle to Arbuthont found best by every-hero-since-the-crack-of-time Jack Lynch here.
You think that's long? It isn't: it's great. Lord Hervey was effeminate, and perhaps more. Pope refers to him as Sporus, who was the pretty boy whom the Emperor Nero had 1) castrated, 2) freed, and then whom he 3) married. It looks at first glance to be the usual attack on homosexuality (assumed), except that it isn't. Pope implied that Hervey is homosexual, but also that he is an impotent homosexual. He never enjoys women nor men. Nor does Pope give Sporus a Nero -- there is no masculine to Hervey's feminine, no 'top' for him to play 'bottom' to. No, what Pope points at with disgust is that Hervey is a mix. He is a discordia discors. 

In the portrait of Sporus, Pope lambasts Hervey's wit as being "between that and this,/ Now high, now low, now Master up, now Miss." By the theory of mind most operative in Pope's day, wit would come from the ability to show unexpected similarities in disparate things and unexpected distinctions in presumed like things. However, each bit of wit, to be true wit, had to be tempered by a knowledge of place (the infamous "decorum") and, most of all, serve a purpose. Pope did not merely believe in Horace's maxim of "utile et dulce," he saw it as a guide star. Hervey's wit had to be in the service of Nature.

When Pope ridiculed Ambrose Phillips, it was along the lines of truth and nature, and when he criticized other moderns, it was because they derived their practice from their rules or observations rather than from nature or what must be true. This Catonian streak can make Pope difficult at times, at least partly because he is not consistent. Three Hours After Marriage is for simple entertainment and a la mode, after all.

Hervey's crime, in Arbuthnot, is being an amphibian -- one who slips from male to female and back again. He is very much like Pope's view of woman when he says that "Most women have no character at all." Women can change their whole selves, and so the Theophrastan idea of character does not fit them. Similarly, a woman's freedom and art with clothing and cosmetics mean that she can blend into any environment she desires. This is the disability of women, in Pope's mind (in Epistle to a Lady):
 Nothing so true as what you once let fall,/ 'Most Women have no Characters at all.'/ Matter too soft a lasting mark to bear,/ And best distinguish'd by black, brown, or fair."
It amazes me that people can think there is misogyny present. The "character" intended is obviously not the sweat-stained inner soul and integrity of the locker room motto. It is the germ within that cannot be crushed and which grow into a predestined form.

The amphiotic, including amphimixis, is disturbing. Medievals, who lived and thought the Great Chain of Being, saw mixed things as blasphemous or miscreant. The best one could hope for, if one looked mixed, is to be ruled a lussus naturae (freak of nature) and thus not personally in league with Satan. The reason for the revulsion is simple enough. If each creature fits into a niche of intellect and soul, and the niches run from God at an infinite height to nothingness at an infinite small, then something that is two places/positions is defying the order God set upon the cosmos. A person who willingly mixes is willingly creating discord.

Once more, though, idiots will be idiots. Folks given a metaphysical concept will almost instantly apply it to the flesh. Their deductive reasoning will run from, "God put each thing in its place, and you seem to be manly and female" and conclude with a beating. It may only take red hair, or a stubby thumb, or a club foot. Pope, you will notice, is not doing this.

Pope studiously avoids physical descriptions. When he provides them (Edmund Curll in Dunciad), it's notable, but his usual tactic is to talk about a person's character through a behavior. Lord Hervey is offering up the continuous wit without a purpose that devalues language, and he is girlish and a man; he is both empty and poisonous.

The disgust with the mixed would continue. Gay men today write about the "straight-acting" code and how gay men who are "straight acting" do not get the ill treatment that presumably gay acting men do. This discussion is at least slightly off the beam, as the vicious and illegal behavior gay men fall victim to is usually men reacting to an effeminate man, and effeminate men are routinely harassed even if heterosexual. (Gender codes are policed by the same sex, and so men force men to be 'manly' as women force women to be 'feminine.') Women who are masculine (as opposed to assertive) also get hostile reactions, whether they are lesbian or not.

You going to eat that pencil?


In the 1890's, Gerard Manley Hopkins addressed the issue of the God of Placements:

"Pied Beauty"
GLORY be to God for dappled things—
  For skies of couple-colour as a brinded cow;
    For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches’ wings;
  Landscape plotted and pieced—fold, fallow, and plough;        5
    And áll trádes, their gear and tackle and trim.
 
All things counter, original, spare, strange;
  Whatever is fickle, freckled (who knows how?)
    With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:        10
                  Praise him.

Be sure, he tells his readers, that God does not need our version of consistency. Further, the very concept that God has to be homogenous is unnecessary. Plato may have needed a god that was internally consistent, like a giant ball of Silly Putty surrounded by an egg of Demiurge, but Plato's god is not alive. The Platonic god is affectless. 

All of the Middle Eastern religions have a God who is involved by emotion or impulse. A living God who loves can create out of love without having any lack. What's more, differences and mixes are all actualities and eventualities confined to time and space; for the eternal, there is only the glory, the exultation, the amazement, and the praise and love.

Lord Hervey was despicable, probably. However, what Pope lashes him for is being an artificial creature -- a man who is self-made without reference to nature (which does not mean hetersexuality, but productivity). Pope could not see that he, too, was amphibious, also antithetical. A man 4' tall who had to wear a corset simply to stand erect is an embodied paradox. A poet with a sensitive mind lived in physical pain for all of his adult life and wrote with placid ease. I wonder what the Confessional poets would have done if they could have claimed a quarter of Mr. Pope's pains. A man who never got consideration from women because of his condition, and yet he wrote lovingly of women. He was a Roman Catholic and despised for his religion, discriminated against, and yet he supported the conservative party.

What's more, and worse, is the amphibian life. Death does not hurt, I assume, but dying does. We spend a good portion of our lives neither born nor adult -- struggling between two characters, fighting between child and self. Even as our beauty forms and fades, we are in the crisis of sloughing off our births. Then we spend more time neither adult nor dead, but merely dying very slowly. We have our powers, and the supports and succors we long for have passed, but we have not death -- just an unresolving blur.

I can feel it these days, the tug of war. The white flag in the middle of the rope may jerk back to my side a foot or two, but more people keep joining the other side, and there was never any doubt about the outcome.

Wednesday, November 07, 2012

Non-fiction

"If no one asks me, I know what it is. If I wish to explain it to him who asks, I do not know." -- Augustine, Confessions IX
I used to love Henri Bergson's philosophy. It was wacky in the way that only French and 18th century British philosophy can be, because it simply ignored the prior centuries and conversations and asserted a thing and then followed the implications. If the maestro is correct about time being a perception rather than a physical reality, then you're off and running, or at least trotting, beside him as he works out the myriad consequences.

I do not know if anyone ever exactly said why his philosophy was a door stop, why it shuttered the building and silenced the rest, but it did. There were few followers, because there was little to follow. It wasn't like Nietzsche, where the system sort of ends in a great, guttural growl, but once time is only perception, pretty much everything else gets idiosyncratic. You have to think about it a while, but you'll see that you can't reason on any subject, really, without time being something that we agree upon.

Even as Einstein would say that the physics property called time was relative, the human quality called time could never be more flexible than local. Oh, you -- you can say that time is a fiction, but I bet your computer clock is set. Like language and the myth of "slippage" that the deconstructionists wittered on about, it's true that absolute time is false and that we are all locked into a contract. Our time is nothing greater, in the end, than a network of contracts to go and do things, and between those actions we say time exists. The universe knows not "8:00 AM."

Our "8:00 AM" only means something between it comes between "7:00 AM" and "9:00 AM," not because there is any magic in the number or the time. Our "butterfly" only has meaning because of the contexts embedded in the signifier, not the magic of the sound. Yeah, yeah. The world is so, like, enslaving, man.

(I'd like to see the deconstructionist free herself from the paradigm of the clock.)

Time is not a fiction, if it's a shared delusion. If we share it, then it's not imaginary, because we've never been able to enforce universal fantasies. However, it's also not a reality, if none of us can talk about it rationally or even know how we keep speaking of it. It's this ongoing activity, but we can throw it into a pool, hurl it into futurity, and slice it into segments, and all without a definition or apprehension.

Do you feel time passing? I know. . . reading this would make anyone aware of time passing.

Anyway, the cruel lights of the sky, the poorly disguised commands of the economic machine, and the way the earth stumbles like a disoriented dancer through three hundred plus spins to get back to where it began all sound out a loud chomp of regularity and regulation. Things are regular, and we think they are timing.

Our souls wait for the Lord as surely as the watchman waits for the light of dawn. In that waiting, there is no time. Do you know why, all through the Psalms, the singer talks about waiting for the dawn in anxiety, why Jesus told two parables about people setting watch for the night? I doubt the least aware shepherd doubted the sunrise or was confused about the seasons, but waiting is a quality of time.

In the eternal, there is no beginning or ending, for "eternity" means timelessness, and without time such terms have no sense to them. We wait for the Lord just like the watchman waits for dawn. In the period of endless extension (waiting, dark), the solution goes by its own schedule (dawn, God). At the moment of coming, it is no more waiting. Time kicks in.

Time is not a fiction. It is a narrative.

We take our strands of life, our yarns, and the card spins us together. We accept the narrative of work, the narrative of season, the narrative of paying bills, and even the narrative of death, but time isn't responsible for any of these things. Time is the result of them. Here, we can lose our memory, or just lose our control over memory, and we can lose the power to imagine, but that is not time. Time is when we comply, put stickers on the planner, adjust our gait to the dance floor, and have a thing to tell or be told.

There are tribes and groups that live without a future tense. There are some with low number counts (how many? hrair!), but they still have a sense of time because they tell stories and have history. My sparkle-brained puppy cannot tell anything, and she has no time: she carries in her skull memories and a blurry pocket of "now" that might be fairly long, but not time.

I have grown sick of the tale.


Sunday, September 09, 2012

I Wanna Be Normal People

Meet the new writing companion.
Photo taken Sept. 7, 2012
She had a name at the animal shelter. She was called "Erin." Since my first dog was "Bounce" (same name as Alexander Pope's dogs), and my second was "Uncle Toby," and my third was "Macheath," it's pretty clear that "Erin" could not stand. However, the name that my heart had decided upon for my next American Eskimo Dog was Garm, and the dog in the photo above is not Garm. For one thing, this one might howl well before Ragnarok or Judgment Day. Also, Garm is supposed to be male, Hel female, so I was going to give the name to a female, just for symmetry's sake.

The dog above (and at my right ankle now) is female. She is spayed, although she went through her first estrus at the time of the spaying. (Oops, as they say.) (That must have been a relief to her, albeit a confusing one.) So, I thought of other names. "Glumdalklitch" was top spot (just called "Glum"), but I finally settled on "Stella."

So, meet Stella:

"Stella" is a stealthy dog, and the name is deceptive as well. I'm sure that you are thinking "Astrophel to Stella," and that's a fine thing, but "Stella" is also the generic 'beloved' name in every bad poem of 1680-1780, so there's that. However, for the really geeky 18th century theme park consistency, there is Esther Johnson. Jonathan Swift's teasing, flirting, but never abused female friend, whom he called Stella in his writings, has left her mark on the public through him, but she obviously left a deep furrow in his life. (If you want more information on Stella, there isn't much. Do NOT go to the Wikipedia page, which uses a fiction as its source.)

Stella was rescued from the needle, for she had been at the animal shelter since May with "zero public interest." The shelter in question tries to ensure that no dog gets euthanized, so she was not in imminent peril, but the choices were stark. As for what she is. . . I don't know.

I know she's at least half a Pointer. The other half could be anything from Border Collie to Labrador. She likes water and sociks. She is a sock collector of the first order. She does not chew them, eat them, or do anything else except own them. Similarly, she wishes to have one shoe of every pair, simply for ownership. (You can't leave without your shoes, I think.)

This is the first dog I have had that is part or whole Working Dog. In short, it is the first "normal" dog I've had. For once, I'm normal. I'm like the average person, and my dog has a normal name. I will do all that I can, of course, to be as subversive as possible so that, like the name, the dog is only a strange critter abiding in a normal wrapper, and she certainly seems inclined that way.

For a decade of my life, my greatest desire was to be one of them -- the normal people. What on earth possessed me, I don't know.

Sunday, July 15, 2012

The Joy of the Loveless

"I decided that if the
shaking of her breasts could be stopped, some of
the fragments of the afternoon might be collected,
and I concentrated my attention with careful
subtlety to this end." -- T. S. Eliot, "Hysteria," 1920
Your life, like most lives, is a tale of inappropriate loves that swerved one way or the other in the chaos of time by the impact of mismatched forces. Appropriate love, all the sober gray heads would agree, is of a living object better and bettering than the self; this definition may be behind our stumbles, but, like the naked mole rats we resemble, we feel our way by warmth on our pelts, blindly going "Warmer, warmer... colder, colder," falling this side or that of apathy's zero state.

And you thought Art History wasn't a good major!

 I was at the circus yesterday -- Mal-Wart, I mean -- and my absurd remnant of desire had me looking at women, girls, crones, and mothers, and then each would go from retina to a filter that may not be the same as other men's. I did not go to sexual attraction, but fitness of soul. A carriage, a posture of head, a relaxed face, would say that she was angry or worried or innocent, serious or vain. After that coarse speculation came nothing, really, but a reflected impulse, whereby I thought on time or life. Some women, more girls, did not inhabit their bodies, and others did not master them. Some were younger than their years, but more were older or matched.

I saw several who were in the last of their teens, but their world was older. They had become mothers or already learned to fear a ringing phone, and so their minds were not where their flesh was. Another was about twenty-five, but her eyes never held anything they touched, and her feet never reached the ground when she walked, and I realized, "She thinks seventeen." (There is not a word missing in that sentence.)

There may be more stages, more fixed points than the ones I know about, but it seems to me that there are ages we actually are. The "want to grow old" age is a mind that cannot have a number on it, because it is an age that, by its primary desire, tells itself that it is dependent, controlled, and inexperienced. Then, though, there is seventeen. Some thirteen year olds -- tough kid boys with older brothers who initiate them into beer and drugs early, girls who 'blossom' early and are stunned by the shockwave -- think seventeen, but it's usually the thinking of the triumph over puberty. It is having won against one's own body, feeling its contours as reliable and being relieved, at long last, of daily name calling, back stabbing, and fighting with same sex peers.

Some people are mistakenly under the impression that thinking seventeen is happiness. Ask someone who is seventeen, though. The next year is twenty-three. The graduating college person, the full of information person, the self-confident competent person who announces independence for the first time and competency for the first time and isn't awed by it -- this is the person who has the beer party, who goes to that strange restaurant with her friends, who organizes a potluck on her own. This is the person who writes the famously dense novel filled with every idea he or she ever had. (The genre of the novel of twenty-three could fill two graduate seminars.)

Then there's thinking thirty. Most of us past thirty think thirty. The thrills are gone. It's not neat to get mail in the mailbox. Parties are boring. Dating is dreaded. More money thought than creative thought goes on, and there is worry. One is at full power, but only to find that the world really has only a very, very small spot on the dance floor for each of us to move in.

I have just discovered that there is thinking fifty, too. This is the regretful and the "Oh, no" thinking, as well as the thinking of diminishment. It remains until the last thought -- being the person who is weak, and that, like the first, has no number associated with it. The first mind is one we flee as quickly as we are able, and the last is one we adopt only after we have no other choice.

The women I looked at fell into ages -- ages of mind. I also looked at their kindness, because to me that may be most needed. When I came back to the house, after that trip to the circus, I saw a man my age moving some heavy thing in a ditch. His wife was standing behind him with her arms crossed under her bra, her cropped hair a blond contrast to her red face. He placed the thing somewhere and looked eagerly under his arm behind him, and then bent back down. This is all I saw, but I was going 20 mph, so I saw that much. I also saw that she was a woman of a stunning figure at twenty, a heart of frustration lurking beneath it, and a mind of ways things must be done. (I have no praise for the man, but her stance was a cliche.)

Als das kind kind war
We think and are, at first, in love. Some people mistake this for joy. They are allowed to do so, because it can seem that way later, but it is, instead, trust. When one has no trust left, the thinking "when I grow up" seems idyllic, because it was a time of loving parents and teachers and police and aunts and uncles and the family dog. Even as it meant no self control, no power, it meant love. It was a false love, because it was a temporary one. All those things could be stronger, smarter, and wiser than the child, but not better -- as gummy eyed poets have said, and as Jesus made clear (it does occur to me, now, that, although Jesus in other places says that we must become children again and that the prophecy is fulfilled that the wise are made simple, the simple wise, the particular circumstance of this saying was of sick children and children suffering and having faith). After the completely thoughtless phases of grabbing whatever is wanted are gone, the aspiring young who think about their future are fine.

The next mind we inhabit is the one of self-aware division, where we fall victim to love's mating and lust's warfare, and we know it. I doubt there is a person who has gone through the mind and not been aware of some falseness to the driver. As for falling in love, I could point you at Shakespeare or other Elizabethans who have such precise words for it. ("This senior-junior, giant-dwarf, Dan Cupid; /Regent of love-rhymes,  lord of folded arms,/ The anointed sovereign of sighs and groans,/ Liege of all loiterers and malcontents." Marriage, the goal of earthly love, "’T is just like a summer bird-cage in a garden,—the birds that are without despair to get in, and the birds that are within despair and are in a consumption for fear they shall never get out.") Most of the Restoration wits saw love as a disease and lust as its fever, and they had elaborate metaphors for it -- what else but a disease could make a person behave in such a way, and what else but a fever could animate a person to such a degree?

Passing, or not passing, that, we join, or we join around the mind of twenty-three. I now advise teenagers to marry, and to do it quickly, because the false love of seventeen is negated by the false love of twenty-three. At seventeen's mind, it is union. The other person is better than you and has all the parts you lack, and two-in-one will solve the failure of isolation's deficits. Palm to palm and chest to chest, face to face, we have union -- a wonder enough to keep us forever and yet transient enough, mutable enough, to make us aware that it may be a shadow. She isn't better, and he isn't. She makes you a better person . . . somewhat, and he makes you stronger. . . when he isn't ruining everything. Union is so rarely complete, synchronized, and without tugging on the rope that we have a valid love, a good love, but still a misdirection.
Marry, children! Marry soon, or don't, because when you begin to live in the mind of twenty-three, you will fall in love with someone else. Around the age of nineteen, you will meet the most fascinating, compliant, coy, and agreeably cryptic and great person, ever: You.

From nineteen until thirty, you are the most interesting person you know. Why are you like ___? Why don't people like you more? Why aren't you wealthier? Why do you procrastinate? All these questions and more will come to you in time, and you'll answer them and others -- several times over. This is not a quality of the affluent only, either. The first flush of reflection, which occurs the moment the hormones take their claws off the gas pedal, leads to more.

The thirty mind can hit at twenty. It's just when you no longer think of yourself as a glorious subject, and instead think of yourself as a persecuted subject. The thirty year old mind is responsible, dutiful, over-stretched, under-appreciated, and busy. No one knows the beauty and sophistication of the great Self that the twenty-three year old was, and no one will see how wrong he is. Instead, whatever answers to the Big Mysteries of Me the person came up with, those stick, because now we are busy.

Imagine a man who marries at twenty-three -- a normal enough time. He might go into the wonder of self for a short time. That wonder lust wanderlust takes a person to blame first, then persecution, and then understanding, followed by repetition on a more accurate level. First up for most people is "Mom and Dad made me this way." That's the usual answer, but it doesn't usually last. However, if that man has his first child and is running his business the next year, he goes right from seventeen/nineteen to thirty, frozen at the introspective point until the next grand turn.

The love of the self's intricacies, its labyrinth of history and the pachinko game of the future, can better the self or worsen the self and probably does. However, it is not love of an object. The unexamined life is not worth living, Socrates said, but the examined life is not lived at all. The love affair of nineteen to twenty-three is necessary refining, but it's a false love. It precedes another false love: the battering of the body and will against other men and women and against capital to secure against time some light -- a profit, a trust, land, a home, generations, traditions. I don't think I need to argue with anyone very hard that this effort is rarely successful on its own terms and never a proper love. Love of children is great, but it isn't the spur.

Being fifty in mind means a panic, sure. It means knowing that the clock is running down, really. It's not the knowing, though: it's the inescapable, daily pain. Unlike an injury, age picks surprising joints and muscles to fire. So, we look back. We look ahead. We evaluate. The thirty age mind gets disgraced, often when the children are old enough to not need a custodial parent. The seventeen year old mind gets shouted at, often when the marriage mate is doing the same. The nineteen year old seems more attractive than even the seventeen year old: it's time to once again discover the self, to find out where things went wrong, to tap into potential, to talk to people of the opposite sex who are engaged in those quests.

Most of us are sane. We just wish, think, and grunt. We don't go nuts. Furthermore, that foolishness washes off, eventually, but we're left with the self, and then memory as its grist.

As for love affairs, I have no advice. I was rejected by eHarmony. But that love? Well, the soul is big enough to fold and open, and I can't see any love but one as sovereign.

Monday, May 21, 2012

He haws, see saw?

When a man reaches an age, he looks about for ways to assert his continued masculinity. There are people who have money and use that for cigarette boats and happy hookers. Others take up golf, which is more consumptive of money and less productive than any prostitute. Me? I have discovered that there is yin and yang, but there is also haw and hee.


"All things are taken from us, and become
Portions and parcels of the dreadful past.
Let us alone." -- Alfred, Lord Tennyson, "The Lotos Eaters."

First, I discovered the pleasures of stomping in dog poo. I started shooting up "the clear," and it did absolutely nothing for my energy level or my libido, but it did enlarge my prostate and make me want to cut the grass. In fact, it made me sit inside and stare at the grass, cursing it for not growing taller so that I could cut it again.

Second, I changed my own oil, at least once. I haven't done it a second time yet, although that's coming up. This was in addition to starting to hack and slash at every growing thing I could get near that would not scream or bite back.

Now, though... now I have found it! At long last, my seminal moment: wood and power tools.

In case there was any doubt
 (Why is she holding an angle grinder? She's so thin, all that weight up top is going to make her ribs collapse. Let's all look away, before something terrible happens.)

DOODLING
I need to be careful here, because two things potentially cause offense. First, I spent a fair amount of time protesting that Southerners do not have stereotypical nicknames the way Hollywood says. I stand by that assertion. We don't all have silly names. However, I do, it seems, have an Uncle Doodle. I also have an Uncle Ram. I had a Grandmother Bill who was married to Deacon. Their daughter was Clyde. However, it's Doodle who concerns us here.
Doodle (short for "doodlebug") is an educated man. He went to Georgia Tech and got an engineering degree, and that is no mean feat. He was a real, professional engineer, I guess (no one knows what the older generation does for a living; my cousins didn't know) for the power company. However, Doodle also had, and perhaps has, a knack for comic demonstration's of Robert Burns's advice to a soon to die mouse: "The best-laid schemes o' mice an' men/ Gang aft aglee."

Doodle has enacted with his body what would otherwise be a Vaudeville act. When building a tree house for his boys, he decided that it would be properly made, and so he went up to the tree and laid down two floor joists. He then put down cross beams for support. After that, it was time for floor boards.
The clip art bears no resemblance to the man, as he hasn't nearly such a nose or chin, but I invite you to look at his position. Leaning over, he would nail down a floor board, take a step back, and nail down the next. He was doing this 8' off the ground, and his systematic approach was doing very well until the last step, which was into the void.

In 1969, it was a very hot summer in Atlanta, and Doodle got a window unit air conditioner for his and his wife's bedroom. They were living in a split level, and people were outside for the fourth of July. This left him time to install the unit. It was a large unit, and the top floor bedroom window did not like it. If you have ever installed a unit like that, then you have sympathy for what he was going through. With the bedroom in the 90's, himself in a tanker t-shirt and boxer shorts, and lifting an unbalanced behemoth, anyone would get angry, and Doodle had a way of getting angry that would put Homer Simpson to shame. It was not money that was at stake when the 200 lbs. of window until launched out of the window and the house, but pride, and Doodle was not going to have his pride -- his very integrity as a man -- lost, and so he held on.

The air conditioner landed in the neighbors' yard, with Doodle still attached, like a toddler with a kickboard at the swimming pool.
They were both fine and both worked afterward.

When we had a problem with a hornet's nest, the men folk huddled to decide on the course of action. Burning the hornets out seemed to be best, and so several went to go gather all the materials needed. Doodle favored a more direct route. He and his eldest went up to the tree and poured gasoline onto the hornet's nest. He then went to his shirt pocket for his butane lighter, which, of course, would not light. Once more, though, physical laws must work, and so he was going to stay in place, because the lighter must light. Hornets, one might add, must defend. As he kept rubbing the flint wheel, the hive came loose.

I was up hill at the house, and I saw the two of them running and screaming toward the house. The son was faster. Doodle was yelling and windmilling his arms. At one point, half way up the hill, he stopped windmilling and began running with one arm up, as if he were going to give the Black Power salute and run the 100.

We got them covered in towels and started pulling stingers. Doodle, it seemed, had windmilled a hornet into his arm pit, and that had caused the change in posture.
I Doodle
Doodle is an accomplished individual, but he just has this. . . knack.
I, on the other hand, am not so accomplished, and I regard mine as a tendency.
I wanted to get more in touch with my "haw." I needed to grunt and sweat and be manly and know that, even if my appendages were not being utilized nor utilizing me in the way that once they did/were, still I could celebrate muscle mass and a willingness to spurt blood.

I was going to be analytical about this. Not having paid attention (it was a frought situation) when I had the male role model around, I decided to go to the world wide web for plans.
Problem: Aluminum ladders are $80. I need to clean the gutters. My ladder is 6'.
Solution: Make a wooden ladder without frills or hinges or anything cute. No bonnets on the top, no filigree.

Well. Here you go, Doodle.

Ok, now it's time to think about it, assemble materials, think about it, and try to understand what you've read. Incidentally, I challenge YOU to understand what you've read, too.

Let's not rush into things.
Ok. Two saw horses -- least expensive -- from Lowes. "California has determined that touching this may cause birth defects or cancer. Wash your hands." Huh. I already have birth defects, and I don't want the cancer. Calf skin gloves on (Carhartt, union made). A chisel, hammer, a can of stain, sandpaper, a new circular saw what I ain't used since Shop my junior year in high school in 1978 or 1979, a pencil, a triangle square and tape measure, and three clamps.

Remember, this is for a 2 hour project.

The next day, I sand and stain the raw lumber, which is rather like fitting a teenager with a hearing aid. Then I clamp each piece of lumber to the saw horses individually, sort of kind of figure out how to get my saw to cut a half inch, and start measuring.

Side #1: measure 8" from the bottom, make a line. Go 16" from that, make a line, etc. I get four steps, plus the top. Side #2: repeat.
Get saw. Saw. Saw saw saw. The blade doesn't really line up where I want, and it's not actually on the lines, and I have to make a bunch of little cuts so I can then go in with a chisel to break out all the slices to get a notch.
Grab "bad" board and cut it into 16" steps.

Do you see the mistake I made? Neither did I. When I finally put the two side rails up against each other, it was pretty obvious.
--------|--------------|----------------|--------------|-------------------|--------
--------|----------------|---------------|----------------|--------------------|----
A very wee problem, there. If I put those steps in, it's going to be a slippy slidey trip.
Take a look at the directions again. "Clamp all four." Hmm.

!

Had I placed the two sides next to each other on the sawhorses and made a single cut, it wouldn't have mattered how bad my spacing was: they'd line up.
Consequences: First, I can hardly grip today. Second, my back and legs are busted. Third, my pride and integrity are both as uneven as those laterals. Fortunately, I had a "spare" lateral, so I can fix it.